Tuned in to the new proposals of love and peace, between 1969 and 1971 Mayall decided to use an acoustic blues without battery. Then makes a warm, soft blues, facing towards the hippie movement, represented by the use of the flute and acoustic guitar. However folky predominance in this stage does not leave at all Mayall standards more electric blues. It also gives a certain treatment jazz, approaching quite the beatnik wave of the fifties, and foreshadowing of something what will come. Indeed, during 1972-1974 fused the blues with jazz, integrating its band with black musicians. Then pulls out a big band type sound, with a strong touch of swing and jump blues.
Tuesday, January 20, 2015
John Mayall live at 'Olympia / Music Hall Paris (1969)
Tuned in to the new proposals of love and peace, between 1969 and 1971 Mayall decided to use an acoustic blues without battery. Then makes a warm, soft blues, facing towards the hippie movement, represented by the use of the flute and acoustic guitar. However folky predominance in this stage does not leave at all Mayall standards more electric blues. It also gives a certain treatment jazz, approaching quite the beatnik wave of the fifties, and foreshadowing of something what will come. Indeed, during 1972-1974 fused the blues with jazz, integrating its band with black musicians. Then pulls out a big band type sound, with a strong touch of swing and jump blues.
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John Mayall
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